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ZOOPRAXISCOPE

The music is often defined as the art of intonation. This is her understanding is only partially true. Music is intonation and melodic art. General category of artistic imagery derives its specific musical expression first and foremost in the melody.

 

"Radio" music

"Radio" music encompasses experiences in "waves" of all sizes and made the largest number of emotional "receivers" (more precisely, "the receivers' experiences). Transmission of this "radio" are exempt from many of the conceptual nature of the circumstances, often complicating the possibility of bringing people together in a common experience.

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It’s "transmit" and released from the complex relations of the visible external and internal, which often obscure the inner, or make it more difficult to understand. A simple example: in life, in art and theater scene, the hero on the silver screen may have seemingly unattractive features.

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They do not exist for the music that represents the character - ideal as an ideal media hero.
In all these circumstances, a high degree of fusion of experiences and the experiences of the listener, as embodied in the musical image of the ideal hero.

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This fusion is further enhanced by the special nature of the perception of music. The listener is involved in the deployment of melodic, inwardly intoning sounding music, becoming a participant in the execution of his imagination, even the co-author, passing all the way along with the drama of a hero, identifying himself with it. In the practice of live music is achieved by a greater and qualitatively different student contact with the product, rather than the perception of an equally valuable works of any other art form. Fusion, the activity and breadth of the impact of music on listeners are particularly important in regard to the public because the humanistic ideal expressed in music, as a rule, directly and indirectly.

Keeping in mind the special importance for the music experiences of the spiritual world of nations and individuals, it can be argued that the way to the musical-shaped embodiment of the high humanistic ideals of our time is through the embodiment of the spiritual world of the masses and the people who are now in the forefront of progressive movement of humanity. The struggle of the masses and of the people against the social evil of our time is expressed in various aspects of the experience - not only in joy but in sorrow.